关于hiphop文化的DJ、GRAFFITI、STREETD-查字典问答网
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  关于hiphop文化的DJ、GRAFFITI、STREETDANCE、DRESS各给段英文的介绍.

  关于hiphop文化的DJ、GRAFFITI、STREETDANCE、DRESS各给段英文的介绍.

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2020-11-12 18:58
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李洪举

  DJing

  DJHypnotizeandBabyCee,twoDiscjockeys

  TurntablismreferstotheextendedboundariesandtechniquesofnormalDJinginnovatedbyhiphop.OneofthefewfirsthiphopDJ'swasKoolDJHerc,whocreatedhiphopthroughtheisolationof"breaks"(thepartsofalbumsthatfocusedsolelyonthebeat).InadditiontodevelopingHerc'stechniques,DJsGrandmasterFlowers,GrandmasterFlash,GrandWizardTheodore,andGrandmasterCazmadefurtherinnovationswiththeintroductionofscratching.

  Traditionally,aDJwillusetwoturntablessimultaneously.TheseareconnectedtoaDJmixer,anamplifier,speakers,andvariousotherpiecesofelectronicmusicequipment.TheDJwillthenperformvarioustricksbetweenthetwoalbumscurrentlyinrotationusingtheabovelistedmethods.Theresultisauniquesoundcreatedbytheseeminglycombinedsoundoftwoseparatesongsintoonesong.Althoughthereisconsiderableoverlapbetweenthetworoles,aDJisnotthesameasaproducerofamusictrack.

  Intheearlyyearsofhiphop,theDJswerethestars,buttheirlimelight[citationneeded]hasbeentakenbyMCssince1978,thankslargelytoMelleMelofGrandmasterFlash'screw,theFuriousFive.However,anumberofDJshavegainedstardomnonethelessinrecentyears.FamousDJsincludeGrandmasterFlash,AfrikaBambaataa,Mr.Magic,DJJazzyJeff,DJScratchfromEPMD,DJPremierfromGangStarr,DJScottLaRockfromBoogieDownProductions,DJPeteRockofPeteRock&CLSmooth,DJMuggsfromCypressHill,JamMasterJayfromRun-DMC,EricB.,DJScrewfromtheScrewedUpClickandtheinventoroftheChopped&Screwedstyleofmixingmusic,FunkmasterFlex,TonyTouch,DJClue,andDJQ-Bert.TheundergroundmovementofturntablismhasalsoemergedtofocusontheskillsoftheDJ.

  MixtapeDJshavealsoemergedcreatingmixtapeswithdifferentartistsandgettingexclusivesongsandputtingthemononedisc,suchasDJWhiteOwl,DJSkee,DJDramaandDJWhooKid.

  Graffiti

  Anaerosolpaintcan,acommontoolusedinmoderngraffiti

  InAmericaaroundthelate1960s,graffitiwasusedasaformofexpressionbypoliticalactivists,andalsobygangssuchastheSavageSkulls,LaFamilia,andSavageNomadstomarkterritory.Towardstheendofthe1960s,thesignatures—tags—ofPhiladelphiagraffitiwritersTopCat,[58]CoolEarlandCornbreadstartedtoappear.[59]Around1970–71,thecenterofgraffitiinnovationmovedtoNewYorkCitywherewritersfollowinginthewakeofTAKI183andTracy168wouldaddtheirstreetnumbertotheirnickname,"bomb"atrainwiththeirwork,andletthesubwaytakeit—andtheirfame,ifitwasimpressive,orsimplypervasive,enough—"allcity".BubbleletteringheldswayinitiallyamongwritersfromtheBronx,thoughtheelaborateBrooklynstyleTracy168dubbed"wildstyle"wouldcometodefinetheart.[58][60]Theearlytrendsetterswerejoinedinthe70sbyartistslikeDondi,Futura2000,Daze,Blade,Lee,Zephyr,Rammellzee,Crash,Kel,NOC167andLadyPink.[58]

  Therelationshipbetweengraffitiandhiphopculturearisesbothfromearlygraffitiartistspracticingotheraspectsofhiphop,anditsbeingpracticedinareaswhereotherelementsofhiphopwereevolvingasartforms.Graffitiisrecognizedasavisualexpressionofrapmusic,justasbreakingisviewedasaphysicalexpression.ThebookSubwayArt(NewYork:HenryHolt&Co,1984)andtheTVprogramStyleWars(firsts

2020-11-12 19:03:45

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