【MoreoverinsofarasanyinterpretationofitsauthorcanbemadefromthefiveorsixplaysattributedtohimtheWakefieldMasterisuniformlyconsideredtobeamanofsharpcontemporaryobservation.Hewasformallyperhapsclerically】
MoreoverinsofarasanyinterpretationofitsauthorcanbemadefromthefiveorsixplaysattributedtohimtheWakefieldMasterisuniformlyconsideredtobeamanofsharpcontemporaryobservation.HewasformallyperhapsclericallyeducatedashisLatinandmusichisBiblicalandpatristicloreindicate.Heisstillcelebratedmainlyforhisquicksympathyfortheoppressedandforgottenmanhissharpeyeforcharacterareadyearforcolloquialvernacularturnsofspeechandahumoralternatelyrudeandboisterouscoarseandhappy.HencedespitehisconsciousartistryasmanifestinhisfeelingforintricatemetricalandstanzaformsheislookeduponasakindofmedievalSteinbeckindignantlyangryatuncompromisinglyandevenbrutallyrealisticinpresentingtheplightoftheagriculturalpoor.
Thustakingtheplayandtheauthortogetheritismowfairlyconventionaltoregardtheformerasakindofultimatepointinthesecularizationofthemedievaldrama.HencemuchemphasisonitasdepictingrealisticallyhumblemannersandpastorallifeinthebleakhillsoftheWestRidingofYorkshireonatypicallycoldbightofDecember24th.Afterwhatareoftenregardedasalmost“documentaries”giveninthethreesuccessivemonologuesofthethreeshepherdscriticsgoontoaffirmthattherealismisthenintensifiedintoaburlesquemock-treatmentoftheNativity.Finallyasasortofepilogueorafter-thoughtindeferencetotheBiblicaloriginsofthematerialstheplayslidesbackintoanatavisticmoodofearlyinnocentreverence.Actuallyasweshallseethefinalsceneisnotonlytheculminatingscenebutperhapstheraisond’etreofintroductory“realism.”
Thereismuchonthesurfaceofthepresentplaytosupporttheconventionalviewofitsmoodofsecularrealism.Allthesamethe“realism”oftheWakefieldMasterisofaparadoxicalturn.Hiswideknowledgeofpeopleaswellasbooksindicatesnocloisteredcontemplativebutoneincloserelationtohistimes.StillthatlifewasafterallapredominantlyreligiousoneatimewhichneverneglectedthebeliefthatmanwasarebelliousandsinfulcreatureinneedofredemptionSodeeply(onecanhardlysay“naively”ofsosophisticatedawriter)andimplicitlyreligiousistheMasterthatheislessable(orlesswilling)topresentactualhistoryrealisticall